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The Pulitzer Prize for Drama is one of the seven American Pulitzer Prizes that are annually awarded for Letters, Drama, and Music. It is one of the original Pulitzers, for the program was inaugurated in 1917 with seven prizes, four of which were awarded that year.^[1] (No Drama prize was given, however, so that one was inaugurated in 1918, in a sense.)^[2] It recognizes a theatrical work staged in the U.S. during the preceding calendar year.

Through 2006 the Drama Prize was unlike the majority of the other Pulitzer Prizes: during these years, the eligibility period for the drama prize ran from March 1 to March 2, to reflect the Broadway 'season' rather than the calendar year. The decision was made, however, that the 2007 Prize would consider works staged during an eligibility period of January 1 to December 31, 2006—thus bringing the schedule for the Drama Prize in line with those of the other prizes.

The drama jury, which consists of one academic and four critics, attends plays in New York and in regional theaters. The Pulitzer board has the authority to overrule the jury's choice, however, as happened in 1986 when the jury chose the CIVIL warS to receive the prize, but due to the board's opposition no award was given.

In 1955 Joseph Pulitzer, Jr. pressured the prize jury into presenting the Prize to Cat on a Hot Tin Roof, which the jury considered the weakest of the five shortlisted nominees ('amateurishly constructed... from the stylistic points of view annoyingly pretentious'), instead of Clifford Odets' The Flowering Peach (their preferred choice) or The Bad Seed, their second choice.^[3]Edward Albee's Who's Afraid of Virginia Woolf? was selected for the 1963 Pulitzer Prize for Drama by that award's committee. However, the committee's selection was overruled by the award's advisory board, the trustees of Columbia University, because of the play's then-controversial use of profanity and sexual themes. Had Albee been awarded, he would be tied with Eugene O'Neill for the most Pulitzer Prizes for Drama (four).

• 1Awards and nominations

Awards and nominations[edit]

In its first 98 years to 2013, the Drama Pulitzer was awarded 82 times; none were given in 15 different years and it was never split.

The most recipients of the prize in one year was five, when Michael Bennett, James Kirkwood, Jr., Nicholas Dante, Marvin Hamlisch, and Edward Kleban shared the 1976 prize for the musical A Chorus Line.^[2]

† marks winners of the Tony Award for Best Play.
* marks winners of the Tony Award for Best Musical.

1910s[edit]

1920s[edit]

1930s[edit]

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1940s[edit]

1950s[edit]

1960s[edit]

1970s[edit]

1980s[edit]

1990s[edit]

2000s[edit]

2010s[edit]

Musicals[edit]

Nine musicals have won the Pulitzer Prize for Drama, roughly one per decade from the 1930s to the 2010s¹. They are: George and Ira Gershwin's Of Thee I Sing (1932), Rodgers and Hammerstein's South Pacific (1950), Bock & Harnick's Fiorello! (1960), Frank Loesser's How to Succeed in Business Without Really Trying (1962), Marvin Hamlisch, Edward Kleban, James Kirkwood, Jr., and Nicholas Dante's A Chorus Line (1976), Stephen Sondheim's and James Lapine's Sunday in the Park with George (1985), Jonathan Larson's Rent (1996), Brian Yorkey and Tom Kitt's Next to Normal (2010), and Lin-Manuel Miranda's Hamilton (2016).

Of Thee I Sing, Sunday in the Park with George, and Next to Normal are the only musicals that won the Pulitzer Prize and did not win the Tony Award for Best Musical. However, Of Thee I Sing opened when the Tony Awards did not exist, and Next to Normal won the Tony Award for Best Original Score and the Tony Award for Best Orchestrations.^[5]

The award goes to the playwright, although production of the play is also taken into account. In the case of a musical being awarded the prize, the composer, lyricist and book writer are generally the recipients. An exception to this was the first Pulitzer ever awarded to a musical: when Of Thee I Sing won in 1932, book authors George S. Kaufman and Morrie Ryskind, as well as lyricist Ira Gershwin, were cited as the winners, while composer George Gershwin's contribution was overlooked by the committee. The reason given was that the Pulitzer Prize for Drama is a dramatic award, and not a musical one. However, by 1950 the Pulitzer committee included composer Richard Rodgers as a recipient when South Pacific won the award, in recognition of music as an integral and important part of the theatrical experience.^[6]

Additionally, since 1983, when the identity of finalists was first disclosed, four musicals have been finalists for the Pulitzer Prize for Drama. They are: Lee Breuer and Bob Telson's The Gospel at Colonus (1985); Lin-Manuel Miranda and Quiara Alegría Hudes' In the Heights (2009); Jeanine Tesori and Lisa Kron's Fun Home (2014); and Taylor Mac’s “A 24-Decade History of Popular Music” (2017).^[2]

_{¹All listed dates are Prize years. Generally, the musical in question opened in New York during either the preceding calendar year or the preceding Broadway season.}

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Multiple wins and nominations[edit]

Lynn Nottage is the only female playwright to win the prize twice. She and August Wilson are the only playwrights of color to accomplish this feat.

Jon Robin Baitz, Gina Gionfriddo, John Guare, A.R. Gurney, Richard Greenberg, Tina Howe, David Henry Hwang, Branden Jacobs-Jenkins, Stephen Karam, and Sarah Ruhl have each been named finalists twice without winning. Lin-Manuel Miranda is the only person to be named either a finalist or winner twice for writing and composing a musical.

References[edit]

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1. ^ ^ab'1917 Winners'. The Pulitzer Prizes. Retrieved 2013-12-20.
2. ^ ^abc'Drama'. The Pulitzer Prizes (pulitzer.org). Retrieved 2013-12-20.
3. ^Fischer, Heinz-Dietrich & Erika J. Fischer. The Pulitzer Prize Archive: A History and Anthology of Award-Winning Materials in Journalism, Letters, and Arts München: K.G. Saur, 2008. ISBN3-598-30170-7ISBN9783598301704 p. 246
4. ^The Pulitzer committee recommended Edward Albee's Who's Afraid of Virginia Woolf? *, but the Pulitzer board, who have sole discretion in awarding the prize, rejected the recommendation, due to the play's perceived vulgarity, and no award was given instead.
   Klein, Alvin. 'Albee's 'Tiny Alice,' The Whole Enchilada'. The New York Times. May 24, 1998: CT11.
5. ^Next to Normal at the Internet Broadway Database
6. ^Flinn, Denny Martin. Musical! A Grand Tour. Schirmer, first edition (April 17, 1997), pages 230–31. ISBN0-02-864610-X

External links[edit]

• Media related to Pulitzer Prize for Drama winners at Wikimedia Commons

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